2023 a slash: graphic element separator currently on view until April 26, 2024
every(things) cacti taught me,
"Rooted" Sustainability: An Art Perspective, Manarat Al Saadiyat, Abu Dhabi


2023 self portrait,
Women Defining Women In Contemporary Art of the Middle East and Beyond, Resnick Pavilion, the Los Angeles County Museum of Art (LACMA), Los Angeles, CA
2023 romanticising yesterday's, Biography of a Passage, 421, Art Dubai, Dubai

2022 inhale,
Portrait of a Nation II: Beyond Naratives, Manarat Al Saadiyat, Abu Dhabi

2019
self portrait + forget to remember,
Walk the Line, Cuadro Fine Art Gallery, DIFC, Dubai
2019
as you try to forget me,
The Magical Number 7 +/- Two, Meem Gallery, Dubai



2018 - 2019 — COMMISSION (select)
afterwards + recordings: "passing clouds" he said + filling holes: i want more,
+ Gateway: Structures of Meaning | Architectures of Perception, Manarat Al Saadiyat, Abu Dhabi


2018 — SOLO
dopamine + forgetting (1) + forget to remember + i am trying + remembering(s) + oxytocin + us, and filling holes + for self destruction,
+ forget (,) to remember, Cuadro Fine Art Gallery, DIFC, Dubai


2018
Untold Stories Retold: Recent Exhibitions from the UAE's National Pavilion at the Venice Biennale, Warehouse421, Abu Dhabi


2017
filling holes: memories don't mean a thing,
Collectivity: Objects and Associations in the U.A.E. Art World, Maraya Art Centre, Sharjah


2017 — COMMISSION (select)
can't you see how i feel + as you try to forget me + don't you ever leave me alone,
the 57th Venice Biennale, Rock, Paper, Scissors: Positions in Play, the United Arab Emirates National Pavilion



2017 — COMMISSION
romanticising yesterday's + inhale + i am sorry, i am overwhelming + exhale I, II, III,
Bayn: the In-Between, U.A.E. Unlimited, Warehouse421, Abu Dhabi

2016
“look at her”
“she looks as insecure as i am,”
ACADEMY 2016, an annual MFA / BFA Invitational, CONNERSMITH, Washington, D.C. (Online Exhibition)
2016
one sixty two,
form-er shape | shape re-form, MICA, Baltimore, MD

2016
"passing clouds" he said +
“look at her”
“she looks as insecure as i am”
not really here, Platform Gallery, Baltimore, MD

2016 — MFA
love conversations pt. 4 + إلى متى (until when) + “next time will be the best time i see you” he said + “look at her” “she looks as insecure as i am”,
2016 MICA Graduate Exhibition: Home Remembered, Fox 3 Gallery, Baltimore, MD


2015 — TWO-PERSON SHOW
as you try to forget me,
paper/weight, with Melvin Thomas, Ballroom Gallery, Baltimore, MD


2015
as you try to forget me,
dirt/dream=rinehart, Fox 3 Gallery, MICA, Baltimore, MD


2014
for self destruction,
Rine <3, Sheila & Richard Riggs Gallery, Baltimore, MD
2014 — COMMISSION SITE-SPECIFIC
therefore, thereafter,
Art Dubai Projects, Madinat Jumeirah, Dubai


2014 — RESIDENCY SITE-SPECIFIC
hence,
SIKKA Art Fair, House 31, Al Fahidi Historic Neighborhood, Dubai


2014
filling holes: it was beautiful,
Thanks for Writing, 601Artspace, New York, NY
2013 — COMMISSION
without,
SIKKA Art Fair, House 33, Al Fahidi Historic Neighborhood, Dubai



2013 — SOLO RESIDENCY
everything and nothing + prints + forgiveness I and II + if i had it all + it became everything + prints + warmth and distortion,
i know, i knew, the Gallery of Light, Dubai Community Theatre & Arts Centre (DUCTAC), Dubai



2012
simple perplexes + simple perplexes (video)



2012 — SOLO
untitled + filling holes + self portrait,
Bursting at the Seams, the Pavilion, Downtown Dubai, UAE



2011 - 2012 — a traveling exhibition
distractions,
New Era Introducing, Europe, the Middle East and Africa (EMEA) finalist, Alserkal Avenue, Dubai



2011
self portrait,
no more (in)security, Rotunda Gallery, American University in Dubai (AUD), UAE



2010 — an on-going+traveling project (2009- )
and the commonplace serendipitous,
Analogue is the New Digital, (Zone), The Embroidered Digital Commons, Manchester, UK