WORKS PRESS ABOUT

Sara Al Haddad, filling holes: i want more (2012), embroidery on poleyster film paper, 44x32cm. Installation: Structures of Meaning | Architechures of Perception, Abu Dhabi Art, 2018

2018, gateway: structures of meaning | architectures of perception, manarat al saadiyat, abu dhabi art 2018

Sara Al Haddad, filling holes, wall display, 2018, embroidery on poleyster film paper, 44.8x33.8cm

SOLO 2018, forget (,) to remember, cuadro fine art gallery, difc, dubai a slash: graphic element separator

courtesy of cuadro fine art gallery*

Sara Al Haddad, filling holes: i see (potential in) you, 2018, embroidery on poleyster film paper, 44.8x33.8cm

Sara Al Haddad, filling holes: can you feel what has been forgotten?, 2018, embroidery on poleyster film paper, 44.8x33.8cm

Sara Al Haddad, filling holes: how do i mourn you, 2018, embroidery on poleyster film paper, 44.8x33.8cm. Solo: forget (,) to remember, Cuadro Fine Art Gallery, Dubai 2018

Sara Al Haddad, filling holes: how do i mourn you (detail), 2018, embroidery on poleyster film paper, 44.8x33.8cm. Solo: forget (,) to remember, Cuadro Fine Art Gallery, Dubai 2018

Sara Al Haddad, filling holes: itis all coming back, 2018, embroidery on poleyster film paper, 24.9x16.6cm. Image courtesy of Roberto Lopardo

Sara Al Haddad, filling holes: longing for times that never were, 2018, embroidery on poleyster film paper, 24.9x16.6cm. Image courtesy of Roberto Lopardo

2018, galleries week, cuadro fine art gallery booth, warehouse421, abu dhabi a slash: graphic element separator

photos: roberto lopardo, courtesy of cuadro fine art gallery

Sara Al Haddad, filling holes: memories don't mean a thing, 2012, embroidery on poleyster film paper, 44x32cm

2017, collectivity: objects and associations in the u.a.e. art world, maraya art centre, sharjah

Sara Al Haddad, filling holes: it was beautiful, 2012, embroidery on poleyster film paper, 44x32cm. Group: Thanks for Writing, 601Artspace, NY

2014, thanks for writing, 601artspace, new york a slash: graphic element separator

photo: mashal khan

Sara Al Haddad, filling holes: i can't find home, 2012, embroidery on poleyster film paper, 44x32cm

Sara Al Haddad, filling holes: you put thoughts into my words, 2012, embroidery on poleyster film paper, 44x32cm

Sara Al Haddad, filling holes: over-sensitive; one day, 2012, embroidery on poleyster film paper, 44x32cm

Sara Al Haddad, filling holes: finding comfort in the uncomfortable; one day, 2012, embroidery on poleyster film paper, 44x32cm

2013, new positions, ab gallery, lucerne

Sara Al Haddad, filling holes: someday; one day, 2012, embroidery on poleyster film paper, 44x32cm

Sara Al Haddad, filling holes: i get jealous sometimes, 2012, embroidery on poleyster film paper, 44x32cm

SOLO 2012, bursting at the seams, the pavilion downtown, dubai

selections: filling holes, 2012-today, hand-stitched embroidery on poleyster film paper, dimensions variable

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EXHIBITION
HISTORY

2018, Structures of Meaning | Architectures of Perception, Manarat Al Saadiyat, Abu Dhabi, UAE

2018, solo forget (,) to remember, Cuadro Fine Art Gallery, Dubai, UAE
2018, Galleries Week, Cuadro Fine Art Gallery Booth, Warehouse421, Abu Dhabi, UAE
2017, Collectivity: Objects and Associations in the U.A.E. Art World, Maraya Art Centre, Sharjah, UAE
2014, Thanks for Writing, 601Artspace, New York, USA
2013, New Positions, AB Gallery, Lucerne, Switzerland
2012, solo Bursting at the Seams, the Pavilion Downtown Dubai, UAE

IN THE PRESS

+ ‘new positions’ at ab gallery lucerne a slash: graphic element separator

islamic arts magazine (online magazine), april 06, 2013

+ “exploring feelings with intricate needlework,” a slash: graphic element separator

jyoti kalsi, gulf news: weekend review. january 4, 2013 (print)

* courtesy of cuadro fine art gallery