Sara Al Haddad, filling holes: i want more (2012), embroidery on poleyster film paper, 44x32cm. Installation: Structures of Meaning | Architechures of Perception, Abu Dhabi Art, 2018
2018, gateway: structures of meaning | architectures of perception, manarat al saadiyat, abu dhabi art 2018
Sara Al Haddad, filling holes, wall display, 2018, embroidery on poleyster film paper, 44.8x33.8cm
SOLO 2018, forget (,) to remember, cuadro fine art gallery, difc, dubaia slash: graphic element separator courtesy of cuadro fine art gallery* courtesy of cuadro fine art gallery
Sara Al Haddad, filling holes: i see (potential in) you, 2018, embroidery on poleyster film paper, 44.8x33.8cm
* courtesy of cuadro fine art gallery Sara Al Haddad, filling holes: can you feel what has been forgotten?, 2018, embroidery on poleyster film paper, 44.8x33.8cm
* courtesy of cuadro fine art gallery Sara Al Haddad, filling holes: how do i mourn you, 2018, embroidery on poleyster film paper, 44.8x33.8cm. Solo: forget (,) to remember, Cuadro Fine Art Gallery, Dubai 2018
* courtesy of cuadro fine art gallery Sara Al Haddad, filling holes: how do i mourn you (detail), 2018, embroidery on poleyster film paper, 44.8x33.8cm. Solo: forget (,) to remember, Cuadro Fine Art Gallery, Dubai 2018
* courtesy of cuadro fine art gallery
Sara Al Haddad, filling holes: itis all coming back, 2018, embroidery on poleyster film paper, 24.9x16.6cm. Image courtesy of Roberto Lopardo Sara Al Haddad, filling holes: longing for times that never were, 2018, embroidery on poleyster film paper, 24.9x16.6cm. Image courtesy of Roberto Lopardo
2018, galleries week, cuadro fine art gallery booth, warehouse421, abu dhabia slash: graphic element separator photos: roberto lopardo, courtesy of cuadro fine art gallery
Sara Al Haddad, filling holes: memories don't mean a thing, 2012, embroidery on poleyster film paper, 44x32cm
2017, collectivity: objects and associations in the u.a.e. art world, maraya art centre, sharjah
Sara Al Haddad, filling holes: it was beautiful, 2012, embroidery on poleyster film paper, 44x32cm. Group: Thanks for Writing, 601Artspace, NY
2014, thanks for writing, 601artspace, new yorka slash: graphic element separator photo: mashal khan
Sara Al Haddad, filling holes: i can't find home, 2012, embroidery on poleyster film paper, 44x32cm Sara Al Haddad, filling holes: you put thoughts into my words, 2012, embroidery on poleyster film paper, 44x32cm Sara Al Haddad, filling holes: over-sensitive; one day, 2012, embroidery on poleyster film paper, 44x32cm Sara Al Haddad, filling holes: finding comfort in the uncomfortable; one day, 2012, embroidery on poleyster film paper, 44x32cm
2013, new positions, ab gallery, lucerne
Sara Al Haddad, filling holes: someday; one day, 2012, embroidery on poleyster film paper, 44x32cm Sara Al Haddad, filling holes: i get jealous sometimes, 2012, embroidery on poleyster film paper, 44x32cm
SOLO 2012, bursting at the seams, the pavilion downtown, dubai

selections: filling holes, 2012-today, hand-stitched embroidery on poleyster film paper, dimensions variable



EXHIBITION
HISTORY

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2018, Structures of Meaning | Architectures of Perception, Manarat Al Saadiyat, Abu Dhabi, UAE
2018, solo forget (,) to remember, Cuadro Fine Art Gallery, Dubai, UAE
2018, Galleries Week, Cuadro Fine Art Gallery Booth, Warehouse421, Abu Dhabi, UAE
2017, Collectivity: Objects and Associations in the U.A.E. Art World, Maraya Art Centre, Sharjah, UAE
2014, Thanks for Writing, 601Artspace, New York, USA
2013, New Positions, AB Gallery, Lucerne, Switzerland
2012,
solo Bursting at the Seams, the Pavilion Downtown Dubai, UAE


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IN THE PRESS
+ ‘new positions’ at ab gallery lucerne a slash: graphic element separator islamic arts magazine (online magazine), april 06, 2013
+ exploring feelings with intricate needlework,” a slash: graphic element separator jyoti kalsi, gulf news: weekend review. january 4, 2013 (print)


* courtesy of cuadro fine art gallery


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