forgiveness i, 2013, sponge, wire, black thread and hand sewn sequins, 45x45cm
forgiveness ii, 2013, sponge, wire, off-white thread and hand sewn sequins, 45x45cm
if i had it all, 2013, mattress outline and wire, variable dimensions
it became everything (film installation), 2013, mattress fabric, pins and hand-stitched embroidery thread, 220x90cm
it became everything (film still i, ii and iii), 2013, digital print, 100x135cm (each)
everything and nothing, 2013, mattress steel springs, sponge, and hand sewn: sequins, beads, ribbons with embroidery thread, 210x80cm
everything and nothing (prints), 2013, 50 detailed digital prints installation, 10x10cm (each)
warmth, 2013, mixed media, 190x125cm
distortion, 2013, mixed media, 190x125cm
forgiveness ii, 2013, sponge, wire, off-white thread and hand sewn sequins, 45x45cm
if i had it all, 2013, mattress outline and wire, variable dimensions
it became everything (film installation), 2013, mattress fabric, pins and hand-stitched embroidery thread, 220x90cm
it became everything (film still i, ii and iii), 2013, digital print, 100x135cm (each)
everything and nothing, 2013, mattress steel springs, sponge, and hand sewn: sequins, beads, ribbons with embroidery thread, 210x80cm
everything and nothing (prints), 2013, 50 detailed digital prints installation, 10x10cm (each)
warmth, 2013, mixed media, 190x125cm
distortion, 2013, mixed media, 190x125cm
i know, i know examines the methodology of deconstruction and reconstruction to explore the process of adjusting and readjusting expectations.
With a mattress used as the primary material, hidden layers are uncovered and exposed to become new focal points. Previously unseen details are thrown into a differing context(s), illustrating how the true nature of things, as we see and think of them, is often disguised