Sara Al Haddad, one sixty two (2016) silicone mold. Installations at Form-er Shape | Shape Re-form: A Mold Show, MICA, Baltimore, Maryland, USA
2016, form-er shape | shape re-form: a mold show, mica, baltimore, md
Sara Al Haddad, one sixty two (2016) silicone mold. Installations at Form-er Shape | Shape Re-form: A Mold Show, MICA, Baltimore, Maryland, USA Sara Al Haddad, one sixty two (2016) silicone mold. Installations at Form-er Shape | Shape Re-form: A Mold Show, MICA, Baltimore, Maryland, USA

one sixty two, 2016, silicone mold, dimensions variable


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EXHIBITION
HISTORY


graphic elementgraphic element
2016,

Form-er Shape | Shape Re-form: A Mold Show

, Maryland Institute College of Art (MICA), Baltimore, Maryland, USA

graphic element
one sixty two is a collection of bar-shaped silicone molds created to accelerate the production of concrete cubes, a central material in the artwork “look at her,” “she looks as insecure as i am,” (window 3), and ‘next time will be the best time i see you’ he said, (window 1), part of my MFA thesis exhibition
The initial concrete cubes were made with paper molds and used as sampling for creating a free-form application of silicone. The easy-release silicone bars come in different sizes and house a different number of holes in each bar, totaling one sixty-two

My studio neighbor, Daniel Stratis, introduced me to this mold creation technique
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Nada Alaradi and Daniel Stratis co-curated the exhibition: Form-er Shape | Shape Re-form: A Mold Show


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